| CNMS-110 | Ways of Seeing: Vision, Technology, Media |
| CNMS-120 | Introduction to the History and Theory of Film |
| CNMS-125 | Introduction to History and Theory of New Media |
| CNMS-135 | The Classics on Film |
| CNMS-154 | Introduction to German Cinema |
| CNMS-159 | Photography Changes Everything |
| CNMS-160 | Modern China Through Film |
| CNMS-166 | Modern Selves and Ways of Seeing: Japanese Film, Animation, and Literature |
| CNMS-169 | “The Most Important Art”: Russian, Soviet, and post-Soviet Film |
| CNMS-170 | Introduction to Italian Cinema |
| CNMS-202 | Asian Film and Religion |
| CNMS-205 | Broadcasting Freedom: Protest, Power, and Black Media |
| CNMS-228 | Philosophy and Film |
| CNMS-230 | Bollywood Film |
| CNMS-236 | The Visual Culture of Modernity |
| CNMS-237 | Visual Culture of World War II |
| CNMS-238 | The Films of the Coen Brothers: Genre and Pastiche at the end of the American Mythos |
| CNMS-239 | Modern Japan: Japanese Culture and Society From A(-Bomb) to (Dragon Ball)Z |
| CNMS-251 | Apocalypse Now and Then |
| CNMS-268 | Political Film |
| CNMS-290 | Facing Reality: A History of Documentary Cinema |
| CNMS-301 | Avant Garde: Cinema as Theory and Critique |
| CNMS-304 | Religion and Media |
| CNMS-314 | Magazines: Digital Approaches to Print Media |
| CNMS-324 | Visual Culture and the Jewish Experience |
| CNMS-325 | Media Theory and Visual Culture |
| CNMS-330 | Digital History and New Media: Theories and Praxis |
| CNMS-335 | Media and Production |
| CNMS-350 | Gender and Cyberculture |
| CNMS-356 | Introduction to Japanese Film |
| CNMS-365 | Major Figures in Cinema |
| CNMS-380 | Seminar: Transcultural Chinese-Language Cinema and Hollywood |
| CNMS-401 | Meta-Cinema: Films Made from Other Films |
| CNMS-442 | Cinematic Heroes and Heroines in Post-Mao China |
| CNMS-500 | Senior Seminar in Cinema and Media Studies |
| CNMS-550 | Senior Honors Project |